Arright, I've zipped up syx for the kit + pattern.
151.5 BPM. The .5 IS SUPER IMPORTANT.
In case you're curious, here's a rundown of the design:
Track 1 is a Pulse with enough Sub 1 to get the distortion to kick in.
HP filter is set to ride on the suboctave (base val of 8), with key-tracking enabled, and resonance cranked.
LP filter is not key-tracked, but gets swept by LFO 1 to get a nice wobble. Key track is off to keep the LP filter wobble frequency more "stable" as a backdrop to the jumping pitches.
Track 2 uses a double draw machine because it lets you mix between a tri or a sine wave as an additional "clean" subbass. Track 2 is driven by the trigs in track 1, and track 1 is transposed +12 to maintain the high / low octave relationship.
Track 3 is a verb "send" that's pulling from the two basses.
LFO 1 slightly modulates the decay of the verb to break up static resonances in the tail (this only partly successful).
LFO 2 adds a slight fast autopan to the reverb.
LFO 3 adds a fake "sidechain" envelope to the verb's amplitude.
Track 5 is a simple BBOX breakbeat rhythm that's playing a halftime feel.
I'm super curious to play around some more with the SID and FM machines for different bass sounds, but I went straight for the square since it's a great starting point.